French Film

  • Filename: french-film.
  • ISBN: 0415161185
  • Release Date: 2000
  • Number of pages: 348
  • Author: Susan Hayward
  • Publisher: Psychology Press



The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

The A to Z of French Cinema

  • Filename: the-a-to-z-of-french-cinema.
  • ISBN: 081087038X
  • Release Date: 2009-09-02
  • Number of pages: 504
  • Author: Dayna Oscherwitz
  • Publisher: Scarecrow Press



It can be argued that cinema was created in France by Louis Lumi_re in 1895 with the invention of the cinZmatographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinZmatographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi_re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi_re factory, captured the imagination of the nation and quickly inspired the likes of Georges MZli_s, Alice Guy, and Charles PathZ. Through the years, French cinema has been responsible for producing some of the world's best directors_Jean Renoir, Jean-Luc Godard, Fran_ois Truffaut, and Louis Malle_and actors_Charles Boyer, Catherine Deneuve, GZrard Depardieu, and Audrey Tautou. The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

Japanese Cinema

  • Filename: japanese-cinema.
  • ISBN: 9781134334223
  • Release Date: 2007-12-18
  • Number of pages: 384
  • Author: Alastair Phillips
  • Publisher: Routledge



Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.

French Twentieth Bibliography

  • Filename: french-twentieth-bibliography.
  • ISBN: 0945636555
  • Release Date: 1993-08-01
  • Number of pages: 696
  • Author: Douglas W. Alden
  • Publisher: Susquehanna University Press



This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

Louis Malle

  • Filename: louis-malle.
  • ISBN: 0719064570
  • Release Date: 2004-11-27
  • Number of pages: 163
  • Author: Hugo Frey
  • Publisher: Manchester University Press



Hugo Frey introduces Malle's work through a lucid analysis of his many masterpieces, including Le Feu Follet, Lacombe Lucien and Au Revoir les Enfants. He also traces the director's extended period of work in America, which resulted in powerful films such as Pretty Baby, Atlantic City and My Dinner with Andrbliogé. The book focuses on the most challenging aspects of Malle's oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle's portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This is a nuanced study of an important filmmaker, and a critical intervention in the debates which surround Malle's work.

Revisioning Duras

  • Filename: revisioning-duras.
  • ISBN: 0853235465
  • Release Date: 2000
  • Number of pages: 227
  • Author: Janet Sayers
  • Publisher: Liverpool University Press



The extraordinary range, complexity and power of Marguerite Duras – novelist, dramatist, film-maker, essayist – has been justly recognised. Yet in the years following her death in 1996, there has been a increasing tendency to consecrate her work, particularly by those critics who approach it primarily in biographical terms. The British and American specialists featured in this interdisciplinary collection aim to resurrect the Duras corpus in all its forms by submitting it theoretically to three main areas of enquiry. By establishing how far Duras’s work questions and redefines the parameters of literary and cinematic form, as well as the categories of race and ethnicity, homosexuality and heterosexuality, fantasy and violence, the contributors to this volume ‘revision’ Duras’s work in the widest sense of the term

French National Cinema

  • Filename: french-national-cinema.
  • ISBN: 9781134933556
  • Release Date: 2006-09-07
  • Number of pages: 360
  • Author: Susan Hayward
  • Publisher: Routledge



This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it. Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.

Double Takes

  • Filename: double-takes.
  • ISBN: 0874518741
  • Release Date: 1998
  • Number of pages: 246
  • Author: Carolyn A. Durham
  • Publisher: UPNE



During the past decade or more the American remake has increasingly characterized Hollywood's relationship with the French cinema, as films ranging from classics like A Bout de Souffle (Breathless) to contemporary comedies like Trois Hommes et un Couffin (Three Men and a Baby) and La Cage aux Folles (Birdcage) are adapted for US screens. In this comparative, interdisciplinary study Carolyn Durham shows how the remake phenomenon reveals striking differences not just in film theory but also epitomizes larger issues of competition, political and economic tensions, and social, gender, and aesthetic constructs. Durham establishes the metaphor of Euro Disney, which American investors envisioned as the quintessential transcultural entertainment but many French denounced as "a cultural Chernobyl," and then applies it to a close analysis of the films, showing how significant changes between original and remake further our understanding of national identity in both countries. France's belief in its own cultural superiority, she writes, leads to a perceived duty to "disseminate French culture worldwide in the guise of civilisation itself," an attitude that clashes with Hollywood's filmmaking hegemony and its "openness to new ideas, including the foreign." While the central concern is the meaning of cross-cultural differences, this engaging and incisive book also outlines an ongoing battle between a nation convinced of its aesthetic and cultural patrimony and an American industry driven by its own sense of global destiny.

French Film

  • Filename: french-film.
  • ISBN: 9781136214868
  • Release Date: 2014-04-23
  • Number of pages: 368
  • Author: Susan Hayward
  • Publisher: Routledge



The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

Chanteuse in the City

  • Filename: chanteuse-in-the-city.
  • ISBN: 0520938577
  • Release Date: 2004
  • Number of pages: 273
  • Author: Kelley Conway
  • Publisher: Univ of California Press



Long before Edith Piaf sang "La vie en rose," her predecessors took to the stage of the belle epoque music hall, singing of female desire, the treachery of men, the harshness of working-class life, and the rough neighborhoods of Paris. Icon of working-class femininity and the underworld, the realist singer signaled the emergence of new cultural roles for women as well as shifts in the nature of popular entertainment. "Chanteuse in the City "provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Frehel, and Damia. Above all, Conway offers a fresh interpretation of 1930s French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the cafe-concert. Conway uncovers an important tradition of female performance in the golden era of French film, usually viewed as a cinema preoccupied with masculinity. She shows how in films such as Pepe le Moko, Le Crime de Monsieur Lange, and Zouzou the realist chanteuse addresses female despair at the hopelessness of love. Conway also sheds light on the larger cultural implications of the shift from the intimate cafe-concert to the spectacular music hall, before the talkies displaced both kinds of live performance altogether."

The French Road Movie

  • Filename: the-french-road-movie.
  • ISBN: 9780857457714
  • Release Date: 2012-11-30
  • Number of pages: 208
  • Author: Neil Archer
  • Publisher: Berghahn Books



The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context – liberty, identity and citizenship, masculinity, femininity, border-crossing – followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.

A Bout de Souffle

  • Filename: a-bout-de-souffle.
  • ISBN: 9781780765099
  • Release Date: 2013-07-25
  • Number of pages: 128
  • Author: Ramona Fotiade
  • Publisher: I.B.Tauris



One of the most charismatic feature films of the New Wave, À Bout de souffle (1960) has retained its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. À Bout de souffle is now a cult film, propelled in part by the memorable coupling of its leading actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade analyses in depth its production and reception, as well as its mise-en-scène and editing. She situates À Bout de souffle in relation to Godard's filmography and critical writings up to 1960, focusing on a narrative and visual discourse that is now identified with a distinctive strand in postmodern French cinema. She also explores the impact of Godard's early counter-narrative and visual strategies on the independent American filmmakers and the French Cinéma du Look during the 1980s and 1990s.

An Introduction to Film Studies

  • Filename: an-introduction-to-film-studies.
  • ISBN: 0415262690
  • Release Date: 2003
  • Number of pages: 500
  • Author: Jill Nelmes
  • Publisher: Psychology Press



An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blair Witch Project, Fight Club , Shrek and The Matrix*annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study.Individual chapters include:*Film form and narrative*Spectator, audience and response*Critical approaches to Hollywood cinema: authorship, genre and stars*Animation: forms and meaning*Gender and film*Lesbian and gay cinema*British cinema*Soviet montage Cinema*French New Wave*Indian Cinema

The Silent Cinema Reader

  • Filename: the-silent-cinema-reader.
  • ISBN: 0415252849
  • Release Date: 2004
  • Number of pages: 423
  • Author: Lee Grieveson
  • Publisher: Psychology Press



The Silent Cinema Reader brings together key writings on cinema from the beginnings of film in 1894 to the advent of sound in 1927, addressing the development of film production and exhibition technologies, methods of distribution, film form, and film culture during this critical period on film history. Thematic sections address: film projection and variety shows; storytelling and the Nickelodeon; cinema and reform; feature films and cinema programs; classical Hollywood cinema and European national cinemas. Each section is introduced by the editors, and contains suggestions for further readings and film viewings.

The French Cinema Book

  • Filename: the-french-cinema-book.
  • ISBN: 9781844575732
  • Release Date: 2008-01-03
  • Number of pages: 294
  • Author: Michael Witt
  • Publisher: Palgrave Macmillan



The French Cinema Book is an accessible and innovative survey of key topics in French cinema from the 1890s to the twenty-first century. This multi-authored volume proposes new insights into familiar areas and sets out a fresh agenda for the study and appreciation of French cinema: • Who are the men and women who have made French cinema happen? • What is the business culture in which French cinema has evolved? • How has technological change effected artistic and commercial innovation? • What have been the most popular and the most experimental forms? • What has French cinema shown us of France, its society, its citizens, its concerns? • How has the spectator's experience of film-going changed in the last 100 years? • How have debates about film reflected cinema's unique place in French culture? The book combines historical context and background information with detailed discussion of case-studies, analysis of films, recommendations for further reading and online resources. The French Cinema Book is addressed to all lovers of French cinema, students and teachers, specialists and fans.

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