Emotions in Contemporary TV Series

  • Filename: emotions-in-contemporary-tv-series.
  • ISBN: 1137568844
  • Release Date: 2016-03-23
  • Number of pages: 253
  • Author: Alberto N. Garcφa
  • Publisher: Palgrave Macmillan

This book examines the role of emotions in contemporary TV series. Over the past 20 years, TV fiction has become one of the most powerful and influential trends in popular culture. Shows such as Mad Men, Breaking Bad, The Sopranos, Lost and The Wire have created a vigorous televisual landscape where innovations in narrative form, aesthetic engagement and ethical concerns have raised TV entertainment to new heights. What makes this volume unique is its interdisciplinary approach, as the series are analysed from the perspective of Television Studies, Literature, Sociology, Philosophy and Media Studies. Key concepts developed include the relation between moral emotion and character identification, how serial narrative builds into 'affective moments' as a distinctive mode of aesthetic experience, the politics of emotion in collective identities, the intersection of gender and emotions, and how popular genres such as terror films, the thriller and science fiction manage the 'emotional turn' that postmodernism has made visible.

Hold It Against Me

  • Filename: hold-it-against-me.
  • ISBN: 9780822353133
  • Release Date: 2013-04-01
  • Number of pages: 203
  • Author: Jennifer Doyle
  • Publisher: Duke University Press

Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.

Body and Emotion

  • Filename: body-and-emotion.
  • ISBN: 081221434X
  • Release Date: 1992
  • Number of pages: 300
  • Author: Robert R. Desjarlais
  • Publisher: University of Pennsylvania Press

Body and Emotion is a study of the relationship between culture and emotional distress, an examination of the cultural forces that influence, make sense of, and heal severe pain and malaise. In order to investigate this relationship, Robert R. Desjarlais served as an apprentice healer among the Yolmo Sherpa, a Tibetan Buddhist people who reside in the Helambu region of north-central Nepal.

The contemporary television series

  • Filename: the-contemporary-television-series.
  • ISBN: STANFORD:36105120991968
  • Release Date: 2005
  • Number of pages: 260
  • Author: Michael Hammond
  • Publisher: Edinburgh Univ Pr

An engaging and provocative study of the contemporary prime-time 'quality' serial television format, this book gives a timely account of prominent programmes such as 24, Buffy the Vampire Slayer, ER, The Sopranos and The West Wing and explores their influential position within the television industry. Divided into the areas of history, aesthetics and reception, the text provides an illuminating overview of an increasingly hybrid television studies discipline. Chapters consider the formal and aesthetic elements in the contemporary television serial through approaches ranging from those concerned with issues of gender and sexuality, national identity, and reception to industry history and textual analysis. The book also includes British examples of 'quality' serial television emphasizing not only their cultural specificity but also the transnational context in which these programmes operate. Features *Section introductions provide student-friendly explanations of the various approaches and methodologies employed in the book *Chapters are written by an international team of experts in the field of television studies *Ideal for use as a textbook on courses in contemporary television taught at undergraduate level

Gender Trials

  • Filename: gender-trials.
  • ISBN: 0520916409
  • Release Date: 1996-02-15
  • Number of pages: 276
  • Author: Jennifer L. Pierce
  • Publisher: Univ of California Press

This engaging ethnography examines the gendered nature of today's large corporate law firms. Although increasing numbers of women have become lawyers in the past decade, Jennifer Pierce discovers that the double standards and sexist attitudes of legal bureaucracies are a continuing problem for women lawyers and paralegals. Working as a paralegal, Pierce did ethnographic research in two law offices, and her depiction of the legal world is quite unlike the glamorized version seen on television. Pierce tellingly portrays the dilemma that female attorneys face: a woman using tough, aggressive tactics—the ideal combative litigator—is often regarded as brash or even obnoxious by her male colleagues. Yet any lack of toughness would mark her as ineffective. Women paralegals also face a double bind in corporate law firms. While lawyers depend on paralegals for important work, they also expect these women—for most paralegals are women—to nurture them and affirm their superior status in the office hierarchy. Paralegals who mother their bosses experience increasing personal exploitation, while those who do not face criticism and professional sanction. Male paralegals, Pierce finds, do not encounter the same difficulties that female paralegals do. Pierce argues that this gendered division of labor benefits men politically, economically, and personally. However, she finds that women lawyers and paralegals develop creative strategies for resisting and disrupting the male-dominated status quo. Her lively narrative and well-argued analysis will be welcomed by anyone interested in today's gender politics and business culture.

Humoring the Body

  • Filename: humoring-the-body.
  • ISBN: 0226648486
  • Release Date: 2010-11-15
  • Number of pages: 288
  • Author: Gail Kern Paster
  • Publisher: University of Chicago Press

Though modern readers no longer believe in the four humors of Galenic naturalism—blood, choler, melancholy, and phlegm—early modern thought found in these bodily fluids key to explaining human emotions and behavior. In Humoring the Body, Gail Kern Paster proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience. Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major plays of Shakespeare and his contemporaries, Paster identifies a historical phenomenology in the language of affect by reconciling the significance of the four humors as the language of embodied emotion. She urges modern readers to resist the influence of post-Cartesian abstraction and the disembodiment of human psychology lest they miss the body-mind connection that still existed for Shakespeare and his contemporaries and constrained them to think differently about how their emotions were embodied in a premodern world.

Acting Emotions

  • Filename: acting-emotions.
  • ISBN: 9053564446
  • Release Date: 2000
  • Number of pages: 209
  • Author: Elly Konijn
  • Publisher: Amsterdam University Press

Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind? The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting. The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor. Acting Emotions throws new light on the age-old issue of double consciousness, the paradox of the actor who must nightly express emotions while creating the illusion of spontaneity. In addition, the book bridges the gap between theory and practice by virtue of the author's large-scale field study of the emotions of professional actors. In Acting Emotions, the responses of Dutch and Flemish actors is further supplemented by the responses of a good number of American actors. The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.

What Emotions Really Are

  • Filename: what-emotions-really-are.
  • ISBN: 0226308723
  • Release Date: 1997-01
  • Number of pages: 286
  • Author: Paul E. Griffiths
  • Publisher: University of Chicago Press

In this provocative contribution to the philosophy of science and mind, Paul E. Griffiths criticizes contemporary philosophy and psychology of emotion for failing to take in an evolutionary perspective and address current work in neurobiology and cognitive science. Reviewing the three current models of emotion, Griffiths points out their deficiencies and constructs a basis for future models that pay equal attention to biological fact and conceptual rigor. "Griffiths has written a work of depth and clarity in an area of murky ambiguity, producing a much-needed standard at the border of science, philosophy, and psychology. . . . As he presents his case, offering a forthright critique of past and present theories, Griffiths touches on such issues as evolution, social construction, natural kinds (categories corresponding with real distinctions in nature), cognition, and moods. While addressing specialists, the book will reward general readers who apply themselves to its remarkably accessible style."—Library Journal "What Emotions Really Are makes a strong claim to be one of the best books to have emerged on the subject of human emotion."—Ray Dolan, Nature

Popular Media Social Emotion and Public Discourse in Contemporary China

  • Filename: popular-media-social-emotion-and-public-discourse-in-contemporary-china.
  • ISBN: 9781317963134
  • Release Date: 2014-03-14
  • Number of pages: 168
  • Author: Shuyu Kong
  • Publisher: Routledge

Since the early 1990s the media and cultural fields in China have become increasingly commercialized, resulting in a massive boom in the cultural and entertainment industries. This evolution has also brought about fundamental changes in media behaviour and communication, and the enormous growth of entertainment culture and the extensive penetration of new media into the everyday lives of Chinese people. Against the backdrop of the rapid development of China’s media industry and the huge growth in social media, this book explores the emotional content and public discourse of popular media in contemporary China. It examines the production and consumption of blockbuster films, television dramas, entertainment television shows, and their corresponding online audience responses, and describes the affective articulations generated by cultural and media texts, audiences and social contexts. Crucially, this book focuses on the agency of audiences in consuming these media products, and the affective communications taking place in this process in order to address how and why popular culture and entertainment programs exert so much power over mass audiences in China. Indeed, Shuyu Kong shows how Chinese people have sought to make sense of the dramatic historical changes of the past three decades through their engagement with popular media, and how this process has created a cultural public sphere where social communication and public discourse can be launched and debated in aesthetic and emotional terms. Based on case studies that range from television drama to blockbuster films, and reality television programmes to social media sites, this book will be of great interest to students and scholars of Chinese culture and society, media and communication studies, film studies and television studies.

The History of Emotions

  • Filename: the-history-of-emotions.
  • ISBN: 9780199668335
  • Release Date: 2015
  • Number of pages: 352
  • Author: Jan Plamper
  • Publisher: Oxford University Press, USA

The history of emotions is one of the fastest growing fields in current historical debate, and this is the first book-length introduction to the field, synthesizing the current research, and offering direction for future study. The History of Emotions is organized around the debate between social constructivist and universalist theories of emotion that has shaped most emotions research in a variety of disciplines for more than a hundred years: social constructivists believe that emotions are largely learned and subject to historical change, while universalists insist on the timelessness and pan-culturalism of emotions. In historicizing and problematizing this binary, Jan Plamper opens emotions research beyond constructivism and universalism; he also maps a vast terrain of thought about feelings in anthropology, philosophy, sociology, linguistics, art history, political science, the life sciences - from nineteenth-century experimental psychology to the latest affective neuroscience - and history, from ancient times to the present day.

Action TV Tough Guys Smooth Operators and Foxy Chicks

  • Filename: action-tv-tough-guys-smooth-operators-and-foxy-chicks.
  • ISBN: 9781136358654
  • Release Date: 2013-10-18
  • Number of pages: 272
  • Author: Anna Gough Yates
  • Publisher: Routledge

From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature. Chapters include: * Of leather suits and kinky boots: The Avengers, style and popular culture * 'Who loves ya, baby?': Kojak, action and the great society *'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider * Angels in chains? feminism, femininity and consumer culture in Charlie's Angels * 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies

The Politics of Affect and Emotion in Contemporary Latin American Cinema

  • Filename: the-politics-of-affect-and-emotion-in-contemporary-latin-american-cinema.
  • ISBN: 0230109551
  • Release Date: 2011-08-15
  • Number of pages: 228
  • Author: Laura Podalsky
  • Publisher: Palgrave Macmillan

This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. The author examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of “youth” films about globally-connected and disaffected young adults; and the proliferation of transnational productions by “traveling” filmmakers that encourage audiences to feel for “others.” The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.

Emotions in Social Life

  • Filename: emotions-in-social-life.
  • ISBN: 0415137985
  • Release Date: 1998
  • Number of pages: 336
  • Author: Gillian Bendelow
  • Publisher: Psychology Press

In this comprehensive assessment of the sociology of emotions, scholars of international stature argue that emotions hold a crucial key to our understanding of social processes. Covers key areas such as sexuality, health and gender.

Cold Intimacies

  • Filename: cold-intimacies.
  • ISBN: 9780745639048
  • Release Date: 2007-02-12
  • Number of pages: 134
  • Author: Eva Illouz
  • Publisher: Polity

It is commonly assumed that capitalism has created an a–emotional world dominated by bureaucratic rationality; that economic behavior conflicts with intimate, authentic relationships; that the public and private spheres are irremediably opposed to each other; and that true love is opposed to calculation and self–interest. Eva Illouz rejects these conventional ideas and argues that the culture of capitalism has fostered an intensely emotional culture in the workplace, in the family, and in our own relationship to ourselves. She argues that economic relations have become deeply emotional, while close, intimate relationships have become increasingly defined by economic and political models of bargaining, exchange, and equity. This dual process by which emotional and economic relationships come to define and shape each other is called emotional capitalism. Illouz finds evidence of this process of emotional capitalism in various social sites: self–help literature, women′s magazines, talk shows, support groups, and the Internet dating sites. How did this happen? What are the social consequences of the current preoccupation with emotions? How did the public sphere become saturated with the exposure of private life? Why does suffering occupy a central place in contemporary identity? How has emotional capitalism transformed our romantic choices and experiences? Building on and revising the intellectual legacy of critical theory, this book addresses these questions and offers a new interpretation of the reasons why the public and the private, the economic and the emotional spheres have become inextricably intertwined.

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