- Filename: a-visitation-of-spirits.
- ISBN: UCSC:32106016994326
- Release Date: 2000-01
- Number of pages: 257
- Author: Randall Kenan
- Publisher: Vintage
Seduced by the dark side of his dreams, sixteenyearold Harold Cross is overwhelmed and terrified when demons tear his soul from his body and take it on a journey through his past. Reprint.
- Filename: critical-essays.
- ISBN: 9781317991892
- Release Date: 2013-09-13
- Number of pages: 237
- Author: John Dececco, Phd
- Publisher: Routledge
This pioneering work is the first book to systematically explore the literature of gay and lesbian writers of color in the United States. Critical Essays challenges the marginalization and tokenization of gay men and lesbians of color in the dominant academic discourses by focusing exclusively on the imaginative work of representative Native-American, Asian-American, Latino(a), and African-American gay and lesbian writers. As the first book offering a scholarly assessment of ethnic gay and lesbian writing in the U.S., Critical Essays simultaneously defies ethnic and mainstream homophobia as well as straight and gay/lesbian racism. This deliberate counter to the dominant white discourse of gay and lesbian literature offers a lively contribution to the debate on the intersections of race, ethnicity, gender/sexuality and class in American literature. A wide range of critical approaches, including historical readings, cultural analysis, and deconstructive criticism, is employed to the works of such major literary figures as Audre Lorde, James Baldwin, John Rechy, Paula Gunn Allen, and Gloria Anzaldúa. These thought-provoking chapters disrupt the complacent notion of a unified gay/lesbian community by questioning the presumed similarities of persons who share sexual identity. Some of the specific topics explored in Critical Essays include: post-coloniality and gay/lesbian identities emerging Asian-American gay and lesbian writers redefining the Harlem Renaissance from gay perspectives contemporary African-American gay male performance art relocating the gay Filipino This groundbreaking volume will be of immense interest to undergraduate, graduate, and advanced scholars in Gay and Lesbian studies, Women’s studies, African-American studies, Asian-American studies, Latino(a) studies and Native-American studies. It will also serve students and scholars as a valuable introduction to the diversity of authors that comprise twentieth-century American literature.
- Filename: the-concise-oxford-companion-to-african-american-literature.
- ISBN: 0198031750
- Release Date: 2001-02-15
- Number of pages: 512
- Author: William L. Andrews
- Publisher: Oxford University Press
A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.
- Filename: raising-the-dead.
- ISBN: 0822324997
- Release Date: 2000-03-29
- Number of pages: 235
- Author: Sharon Patricia Holland
- Publisher: Duke University Press
DIVThrough a series of literary and cultural readings, argues that African-Americans have a special relation to death arising from their death-like social marginality./div
- Filename: let-the-dead-bury-their-dead-and-other-stories.
- ISBN: 0156505150
- Release Date: 1992
- Number of pages: 334
- Author: Randall Kenan
- Publisher: Houghton Mifflin Harcourt
A collection of stories about life in a North Carolina town features tales of a boy who receives messages from the grave and a widow's transformation after a weekend affair with a teenager
- Filename: visitation.
- ISBN: 9780811219310
- Release Date: 2010-09-30
- Number of pages: 151
- Author: Jenny Erpenbeck
- Publisher: New Directions Publishing
A bestseller in Germany, Visitation has established Jenny Erpenbeck as one of Europe’s most significant contemporary authors. A house on the forested bank of a Brandenburg lake outside Berlin (once belonging to Erpenbeck’s grandparents) is the focus of this compact, beautiful novel. Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.
- Filename: contemporary-african-american-novelists.
- ISBN: 0313305013
- Release Date: 1999-01-01
- Number of pages: 530
- Author: Emmanuel Sampath Nelson
- Publisher: Greenwood Publishing Group
During the last two decades, African American writers have emerged as a distinct and dominant force in world literature. This reference book offers lively, concise, and current information about the lives and imaginative works of 79 contemporary African American novelists. Each of the alphabetically arranged entries begins with a biographical sketch of the author, offers a judicious critical assessment of the author's major works, provides a representative sample of the critical responses the author's books have elicited, and concludes with a selected bibliography that lists the author's publications as well as useful secondary material. Included are entries for major figures, such as Toni Morrison, Alice Walker, James Baldwin, and Ralph Ellison, but many noteworthy young writers also receive the attention they deserve. Forty-one of the 79 writers discussed are women, and roughly a dozen of the novelists have identified themselves as gay, lesbian, or bisexual. Intended for students and advanced scholars alike, the volume is sophisticated yet accessible to a wide audience.
- Filename: how-i-shed-my-skin.
- ISBN: 9781616204938
- Release Date: 2015-04-14
- Number of pages: 288
- Author: Jim Grimsley
- Publisher: Algonquin Books
More than sixty years ago, the Supreme Court ruled in Brown v. Board of Education that America’s schools could no longer be segregated by race. Critically acclaimed novelist Jim Grimsley was eleven years old in 1966 when federally mandated integration of schools went into effect in the state and the school in his small eastern North Carolina town was first integrated. Until then, blacks and whites didn’t sit next to one another in a public space or eat in the same restaurants, and they certainly didn’t go to school together. Going to one of the private schools that almost immediately sprang up was not an option for Jim: his family was too poor to pay tuition, and while they shared the community’s dismay over the mixing of the races, they had no choice but to be on the front lines of his school’s desegregation. What he did not realize until he began to meet these new students was just how deeply ingrained his own prejudices were and how those prejudices had developed in him despite the fact that prior to starting sixth grade, he had actually never known any black people. Now, more than forty years later, Grimsley looks back at that school and those times--remembering his own first real encounters with black children and their culture. The result is a narrative both true and deeply moving. Jim takes readers into those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established. And looking back from today’s perspective, he examines how far we have really come.
- Filename: contemporary-black-men-s-fiction-and-drama.
- ISBN: 0252026764
- Release Date: 2001
- Number of pages: 243
- Author: Keith Clark
- Publisher: University of Illinois Press
Demonstrating the extraordinary versatility of African-American men's writing since the 1970s, this forceful collection illustrates how African-American male novelists and playwrights have absorbed, challenged, and expanded the conventions of black American writing and, with it, black male identity.From the "John Henry Syndrome"--a definition of black masculinity based on brute strength or violence--to the submersion of black gay identity under equations of gay with white and black with straight, the African-American male in literature and drama has traditionally been characterized in ways that confine and silence him. Contemporary Black Men's Fiction and Drama identifies the forces that limit black male discourse, including traditions established by iconic African-American male authors such as James Baldwin, Richard Wright, and Ralph Ellison. This thoughtful volume also shows how contemporary black male authors use their narratives to put forward new ways of being and knowing that foster a more complete sense of self and more humane and open ways of communicating with and relating to others. In the work of Charles Johnson, Ernest Gaines, and August Wilson, contributors find paths toward broader, less rigid ideas of what black literature can be, what the connections among individual and communal resistance can be, and how black men can transcend the imprisoning models of hypermasculinity promoted by American culture. Seeking greater spiritual connection with the past, John Edgar Wideman returns to the folk rituals of his family, while Melvin Dixon and Brent Wade reclaim African roots and traditions. Ishmael Reed struggles with a contemporary cultural oppression that he sees as an insidious echo of slavery, while Clarence Major's experimental writing suggests how black men might reclaim their own voices in a culture that silences them. Taking in a wide range of critical, theoretical, cultural, gender, and sexual concerns, Contemporary Black Men's Fiction and Drama provides provocative new readings of a broad range of contemporary writers.
- Filename: the-greenwood-encyclopedia-of-multiethnic-american-literature-i-m.
- ISBN: 031333062X
- Release Date: 2005
- Number of pages: 2483
- Author: Emmanuel Sampath Nelson
- Publisher: Greenwood Publishing Group
Alphabetically arranged entries in five chronological volumes focus on individual authors, works, and topics related to multiethnic American literature.
- Filename: south-to-the-future.
- ISBN: 0820324116
- Release Date: 2002
- Number of pages: 108
- Author: Fred C. Hobson
- Publisher: University of Georgia Press
Until recently, the American South has often been treated in isolation by historians and literary critics. In these essays five scholars of southern history and literature evaluate elements of contemporary--and future--southern experience, including place, community, culture, class, gender, and racial roles. Fred Hobson observes in his introductory essay that the U.S. South must be seen in relation to a larger world--the Caribbean and Central and South America, as well as European countries with a similar grounding in hardship and defeat. Moreover, the South can no longer be viewed in black-and-white terms--especially if the subject is race. Joel Williamson's essay challenges fellow historians to broaden their purview by getting acquainted with Gone with the Wind, Elvis Presley, and other phenomena of southern culture(s). Linda Wagner-Martin discusses the innovative ways in which contemporary southern writers such as Charles Frazier take on traditional southern concerns and shows us how "place becomes space" for Alice Walker, Barbara Kingsolver, Cormac McCarthy, and other southern-born writers whose works are often set outside the geographical South. Thadious Davis looks at the "youngsters" of southern poetry, fiction, and drama, revealing how their work reflects a racially and ethnically mixed, digitized, and otherwise reconfigured South. In the writings of Shay Youngblood, Randall Kenan, Donna Tartt, Mona Lisa Salloy, and others, one can see the collapsing of distinctions between the literary and the popular, and a greater comfort with social fluidity and mobility. The concluding essay by Edward Ayers, set in 2076, offers a witty glimpse of things-perhaps-to-come. Through a series of short dispatches from a sixteen-year-old narrator of Scottish-Ghanian-Honduran-Korean-Cherokee descent, Ayers transports us to the Consolidated South that counts Incarceration Incorporated among its largest employers. As these writings signal new depths and directions in southern historical and literary studies, they compose a witty and erudite album of snapshots, revealing a region on the verge of big changes.
- Filename: southscapes.
- ISBN: 9780807869321
- Release Date: 2011-11-21
- Number of pages: 472
- Author: Thadious M. Davis
- Publisher: Univ of North Carolina Press
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies. Basing her analysis on texts by Ernest Gaines, Richard Wright, Alice Walker, Natasha Trethewey, Olympia Vernon, Brenda Marie Osbey, Sybil Kein, and others, Davis reveals how these writers reconstitute racial exclusion as creative black space, rather than a site of trauma and resistance. Utilizing the social and political separation epitomized by segregation to forge a spatial and racial vantage point, Davis argues, allows these writers to imagine and represent their own subject matter and aesthetic concerns. Focusing particularly on Louisiana and Mississippi, Davis deploys new geographical discourses of space to expand analyses of black writers' relationship to the South and to consider the informing aspects of spatial narratives on their literary production. She argues that African American writers not only are central to the production of southern literature and new southern studies, but also are crucial to understanding the shift from modernism to postmodernism in southern letters. A paradigm-shifting work, Southscapes restores African American writers to their rightful place in the regional imagination, while calling for a more inclusive conception of region.
- Filename: walking-on-water.
- ISBN: 9780679737889
- Release Date: 1999
- Number of pages: 670
- Author: Randall Kenan
- Publisher: Vintage
The account of a six-year journey across North America offers a sense of the state of race relations
- Filename: comics-and-the-u-s-south.
- ISBN: 9781617030192
- Release Date: 2012-01-20
- Number of pages: 304
- Author: Brannon Costello
- Publisher: Univ. Press of Mississippi
Comics and the U.S. South offers a wide-ranging and long overdue assessment of how life and culture in the United States South is represented in serial comics, graphic novels, newspaper comic strips, and webcomics. Diverting the lens of comics studies from the skyscrapers of Superman’s Metropolis or Chris Ware’s Chicago to the swamps, back roads, small towns, and cities of the U.S. South, this collection critically examines the pulp genres associated with mainstream comic books alongside independent and alternative comics. Some essays seek to discover what Captain America can reveal about southern regionalism and how slave narratives can help us reread Swamp Thing; others examine how creators such as Walt Kelly (Pogo), Howard Cruse (Stuck Rubber Baby), Kyle Baker (Nat Turner), and Josh Neufeld (A.D.: New Orleans after the Deluge) draw upon the unique formal properties of the comics to question and revise familiar narratives of race, class, and sexuality; and another considers how southern writer Randall Kenan adapted elements of comics form to prose fiction. With essays from an interdisciplinary group of scholars, Comics and the U.S. South contributes to and also productively reorients the most significant and compelling conversations in both comics scholarship and in southern studies.
- Filename: my-brother-and-his-brother.
- ISBN: 3867870853
- Release Date: 2011
- Number of pages: 169
- Author: Håkan Lindquist
- Publisher: Bruno Gmunder Verlag
Throughout his teenage years, 18-year-old Jonas has been trying to find out what happened to Paul, his brother who died at age 16, the year before Jonas himself was born. In search of his invisible brother, Jonas soon finds out that Paul had an intense love affair during the last years of his life - a love affair with another boy. Told like a crime story, My Brother and His Brother received rave reviews when it first appeared in Sweden and has since been translated into many languages.